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- <text id=94TT1273>
- <title>
- Sep. 19, 1994: Music:Young Man with a Horn
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Sep. 19, 1994 So Young to Kill, So Young to Die
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/MUSIC, Page 76
- Young Man with a Horn
- </hdr>
- <body>
- <p> Wallace Roney didn't have a trumpet, so Miles Davis gave him
- one of his own
- </p>
- <p>By David Thigpen--Reported by Patrick E. Cole/Los Angeles
- </p>
- <p> Jazz trumpeters who are making a name for themselves are often
- like a teenager who's just got his driver's license. They love
- speed for its own sake, blowing fusillades of notes that show
- dazzling enthusiasm but no sense of judgment. Leading his own
- septet on his fine new album Misterios (Warner Bros.), Wallace
- Roney proves an exception to the rule. His amber tone and patient,
- considered phrasing echo the mature works of Miles Davis.
- </p>
- <p> Misterios marks the coming of age of a musician who endured
- his share of lean times. A dozen years ago, Roney, then 22,
- sold nearly everything he owned--"my books, my records, my
- jacket," he says--to leave Boston for New York City, the world's
- jazz oasis. But when he arrived, it was more like a desert.
- He couldn't afford the $500 to buy his own horn. "There weren't
- too many gigs coming my way," he remembers. To practice, he
- had to borrow an old instrument a friend was using to hold flowers.
- At night he slept in the backseat of his car.
- </p>
- <p> After a year, Roney finally had some luck. He played at a tribute
- to Davis, the trumpet's reigning genius, and the honoree was
- in the wings that night. He was impressed. "He asked me what
- kind of trumpet I had," Roney recalls, "and I told him none.
- So he gave me one of his."
- </p>
- <p> Roney's real breakthrough, though, didn't come until 1991, when
- he played alongside the ailing Davis onstage at Montreux, Switzerland.
- Davis was too weak to play entire solos, so Roney would finish
- them for him. Davis died a few months later, and Roney's performance
- became legendary. Misterios, Davis-like in its jazz-pop blend,
- is dedicated to the legend. "He taught me to treat every note
- like a precious emotion," says Roney. Listening to Misterios,
- you know he learned his lessons well.
- </p>
- </body>
- </article>
- </text>
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